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Writer's pictureGus Keller

Vertigo



Vertigo is one of Alfred Hitchcock's best films and one of the greatest movies of all time. Its most noticeable strength is the use of vibrant color, which Vertigo wields to convey themes of lust, death, and guilt. The cinematography continues with complex arc shots and dolly zooms that are utilized throughout. Meanwhile, more subtle framing compositions are consistently setting up mysterious tones and motifs surrounding obsession. However, Vertigo is far more than just its visuals.


Vertigo is also masterfully written. The story starts as a simple thriller but develops thoughtful purpose. Opposing forces like fear/attraction, passion/death, repetition/distortion are explored in concise yet elusive ways. The music ties this together with ethereal yet uneasy melodies, fitting perfectly because it nails the sensation of disoriented freefall (both physically and mentally). Additionally, the special effects evoke a surreal atmosphere. Matte paintings and rear projections give this intimate story a grander feel. Throw in a trippy dream sequence that is a flavorful departure from the film's meticulous pace, and we have a wholly impactful experience. All told, it is clear why Vertigo is considered a masterpiece and still influential today.


Writing: 10/10

Direction: 10/10

Cinematography: 10/10

Acting: 9/10

Editing: 10/10

Sound: 9/10

Score/Soundtrack: 10/10

Production Design: 9/10

Casting: 10/10

Effects: 10/10


Overall Score: 9.7/10

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