Wolf Man shows potential. It upgrades a well-known premise with drama plus themes of trauma, family, and fear. Character motivations, relationships, and flaws are developed before jumping into the plot. The protagonist evolves steadily, culminating in a worthwhile arc. However, while all the buildup is effective, the story stagnates which undermines the payoff. Its third act even becomes a bit cliche until the climax brings emotions back to the forefront. Still, the acting elevates the material with surprisingly internalized performances, conveying layered range in refreshingly understated ways. Consequently, Wolf Man isn't maximized but it has enticing pieces in place.
Technically, Wolf Man reaches for a personal perspective. Despite subjective filters and a surreal lighting sequence, the imagery is often dark and drab. Its editing constructs tense momentum before running out of steam. The intimate sound utilizes distortions, ambiance, action, and offscreens to drive both the plot and mood. Its music is appropriately atmospheric yet ultimately forgettable. Although it establishes scenic wilderness and grounded genre elements, the production design feels overly confined. Its cast has up-and-comers but only moderate fame. The evolving makeup and prosthetic effects are well done. Altogether, Wolf Man is good when it could've been great.
Writing: 7/10
Direction: 7/10
Cinematography: 7/10
Acting: 8/10
Editing: 6/10
Sound: 10/10
Score/Soundtrack: 6/10
Production Design: 7/10
Casting: 7/10
Effects: 8/10
Overall Score: 7.3/10
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