Woman of the Hour has powerful themes but clunky storytelling. It uses its true-crime premise as a jumping-off point for broader commentary, becoming more about the systemic misogyny that enabled a serial killer. This deeper perspective makes it more applicable to everyday life. Still, the script struggles because its plot feels disjointed. Its heavy use of flashbacks begins to overshadow the main thread, fragmenting the narrative and sidelining the protagonist to the point of alienation. Nevertheless, the acting grounds the experience with dynamic charisma, layers, and violent undertones. Although questionably arranged, Woman of the Hour presents worthy content.
Technically, Woman of the Hour subverts many thriller cliches, but its tone shifts can feel abrupt. Steady movement, scenic landscapes, and brief composition define the cinematography. Despite a concise runtime, its nonlinear editing constructs awkward momentum. The sound adds key split cuts, match cuts, and violence. Carefully restrained, its music provides ominous scoring and era needle drops. The production design conveys showbusiness in the 70s time period. Aside from some representation and fit, the cast amounts to Kendrick's fame. Though minimal, there are a few impactful stunts and makeup effects. Overall, Woman of the Hour is buoyed by meaningful messages.
Writing: 7/10
Direction: 6/10
Cinematography: 7/10
Acting: 8/10
Editing: 5/10
Sound: 7/10
Score/Soundtrack: 7/10
Production Design: 8/10
Casting: 6/10
Effects: 7/10
Overall Score: 6.8/10
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