Black Phone 2
- Gus Keller
- 1 hour ago
- 1 min read
Despite developing an immersive mood, Black Phone 2 struggles to solidify dynamic substance. The script unpacks themes of PTSD, but stagnates around that. Its plot is thin yet oddly convoluted with backstory. Missing direct internal conflicts, the protagonists' arcs ultimately seem mild. When these core literary flaws merge into a slow-burn approach, the writing becomes slight and monotonous. Awkward quips as well as heavy exposition make the dialogue feel unnatural. There are excessive side characters. Its acting brings intensity and vulnerability, yet everyone is tethered to one note. While Black Phone 2 attempts psychological meditations, its execution remains suboptimal.
Technically, Black Phone 2 is atmospheric but uneven. Most impressive, its cinematography uses film gauges to convey different realities. Combined with a repetitive structure, the editing's patient pacing starts to drag. Motifs, subjective distortions, genre elements, and silence provide meaningful variety to its soundscape. The music's decent scoring is elevated by well-chosen needle drops. A character in itself, its production design establishes an oppressive, looming setting. The cast has returners plus diversity, yet lacks star power. Its effects depict violence through digital and practical means. Overall, Black Phone 2 has interesting aspects that struggle to coalesce.
Writing: 5/10
Direction: 6/10
Cinematography: 8/10
Acting: 7/10
Editing: 5/10
Sound: 8/10
Score/Soundtrack: 7/10
Production Design: 8/10
Casting: 6/10
Effects: 7/10
Overall Score: 6.7/10
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