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Dog Man

Writer's picture: Gus KellerGus Keller


Overstuffed with plotlines, Dog Man is anchored by its drama. There's a relationship triangle that yields internal conflicts plus intertwining arcs. This leads to themes of abandonment, forgiveness, and optimism. A few twists freshen up an otherwise formulaic story. There are abundant running gags, meta humor, and absurdism. However, this is all undercut by the crowded narrative, which rushes through fundamental aspects. Its titular hero is occasionally sidelined while the messages can feel muddled. Meanwhile, despite animated charisma and decent growth, the trope characters within a packed script confine the acting's range. Consequently, Dog Man is messy yet heartfelt.


Dog Man is high-energy. Although erratic, its direction confidently embraces its cartoonishness. Through a variety of compositions, the cinematography is particularly active. Despite being structurally frantic, its flashy editing utilizes ample techniques within a short runtime. Consistent genre elements, smash cuts, stings, and distortions enliven the soundscape. Its music combines fitting jazz scoring with comedic needle drops. Harnessing a rough painterly style, the production design looks like professional doodles. Its cast is voice only but offers sizable fame and fit. The animation is 3D with 2D influences, offering unique textures. Overall, Dog Man is commendable.


Writing: 6/10

Direction: 7/10

Cinematography: 8/10

Acting: 6/10

Editing: 7/10

Sound: 8/10

Score/Soundtrack: 8/10

Production Design: 9/10

Casting: 7/10

Effects: 9/10


Overall Score: 7.5/10


 
 
 

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