Sorry, Baby
- Gus Keller
- Sep 19
- 1 min read
Sorry, Baby's blend of humor with tragedy provides a personal look into serious topics (like mental health and assault). While some might find it off-putting, this lighter approach is a true voice that uses a self-aware defense mechanism rather than mocking anything it shouldn't. Thus, the contrasting moods actually fuel each other. There's conversational dialogue that's casual as well as insightful. It has earned exposition, lived-in relationships, growth, and a complex protagonist. Though the acting is fundamentally internal, it delivers a sincere range of depth, chemistry, pain, and relatability. Therefore, Sorry, Baby creates a charismatic yet respectful meditation.
Utilizing gentle techniques to imply big emotions, Sorry, Baby's greatest strength is its unique tone. Spacing conveys drama through the cinematography. Its patiently paced editing allows immersion while the concise chapters keep it accessible. Though primarily grounded, risers plus juxtaposing split cuts add subjectivity to the soundscape. Aptly, its delicate music creeps in when the film requires energy. The production design establishes Northeast as well as academic settings. Despite minor fame, its cast has skill, representation, and excellent fit. There are almost no effects, which suits the intimate material. Overall, Sorry, Baby is an important story told honestly.
Writing: 10/10
Direction: 10/10
Cinematography: 8/10
Acting: 9/10
Editing: 9/10
Sound: 8/10
Score/Soundtrack: 8/10
Production Design: 7/10
Casting: 7/10
Effects: 6/10
Overall Score: 8.2/10
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