The French Dispatch

Wes Anderson remains a master of his craft. By now, most cinephiles know what to expect from Anderson's films: precise camera framing, expressive colors, whimsical production design, and witty dialogue. While that might be taken for granted by some, it is undeniable that Anderson’s movies are consistently great. The French Dispatch is the latest example. Audiences may have become desensitized to Anderson’s artistry and it’s a bit forgettable by his lofty standards, but The French Dispatch is still one of the best films of the year.

Before dismissing it as just another great Wes Anderson movie, a few details about The French Dispatch deserve recognition. First, the script is uniquely structured as a series of magazine articles, connected by themes of the creative process and finding a sense of belonging. Next, there are a variety of effects at play; shifting aspect ratios, color saturation, and animation mediums give the film a dynamic feel. Lastly, the cast is exceptional. Almost every character is played by a recognizable and skilled actor, which helps capture Anderson’s quirky world. Overall, it might not be Anderson’s best, but The French Dispatch is a wonderful experience.

Writing: 9/10

Direction: 10/10

Cinematography: 10/10

Acting: 8/10

Editing: 8/10

Sound: 7/10

Score/Soundtrack: 8/10

Production Design: 10/10

Casting: 10/10

Effects: 8/10

Overall Score: 8.8/10