Harry Potter and the Half-Blood Prince
Harry Potter and the Half-Blood Prince is peak Potterverse. It fully accepts its darker tone, bringing harmony to the experience. The...
Reviews of Movie Films
Harry Potter and the Half-Blood Prince is peak Potterverse. It fully accepts its darker tone, bringing harmony to the experience. The...
Harry Potter and the Order of the Phoenix is everything we've come to expect. It's well-rounded because the story, acting, and filmmaking...
Sonic the Hedgehog is generic. The script haphazardly tosses Sonic's eccentric reality into a trite family film, without harmonizing the...
Sonic the Hedgehog 2 is average, an example of modern popular movies. It's based on a recognized franchise, its main concern is...
Ambulance is clumsy yet entertaining. Although he's reaching for more, Michael Bay is blunt. First, the characters are cliched....
Speed honors its title. Despite lacking true depth or originality, Speed succeeds because it's efficient. The film unloads tons of...
Transformers is a loud mess. It sparked a lucrative franchise, but the film is shallow and cluttered. First, the script is nonsense....
Armageddon is simultaneously enjoyable and obnoxious. First, the plot is basic and nonsensical. It's a fun premise but requires excessive...
The Bubble is low-effort. Apatow is known for structureless comedy, but this is downright lazy. Set during the pandemic, the story...
Blade is amusing. It's cheesy and dated, but also competent. First, the writing is efficient. Blade's backstory is explained quickly and...
Venom is mediocre. It's not very good because it provides the bare minimum: hollow character development, motivation, creativity, and...
Morbius is wasted space. The entire movie is filler, stalling until the inevitable superpower acquisition and the showdown with the...
Everything Everywhere All at Once is stunning. It's a quirky spectacle, but remains deeply vulnerable. The narrative follows Evelyn,...
Swiss Army Man is a treasure. Combining strangeness with relatability, whimsicalness with substance, and silliness with thoughtfulness,...
Cruella has solid style with passable substance. The narrative is clunky, working towards predetermined marks rather than a natural...
Flee is powerful. It's deeply heartbreaking because it addresses hard truths. Flee is the story of Amin, a refugee who escapes war-torn...
CODA is progress. The plot is formulaic, but it portrays an underrepresented community. Depicting complex deaf characters with...
The Eyes of Tammy Faye is confidently produced and brilliantly performed. Its straightforward story highlights corruption and prejudice...
The Lost City has pieces that work and pieces that don't. Placing pretenders into an actual adventure is good for laughs and heart, yet...
The Worst Person in the World uniquely blends romance with coming-of-age. Julie is a capable young adult, deciding what she wants out of...