Road House (2024)
Road House is an endless string of cliches. Characters are blatant and contrived tropes, so their motivations and consequences are...
Reviews of Movie Films
Road House is an endless string of cliches. Characters are blatant and contrived tropes, so their motivations and consequences are...
Ghostbusters: Frozen Empire chooses quantity over quality. It's overstuffed with excessive protagonists, exposition dumps, a convoluted...
Ghostbusters (2016) is a sloppy remake, replacing sharp wit with bloated digressions. There's blunt dialogue, dated references, pointless...
Ghostbusters II is an inferior retread, stagnating its protagonists in a predictable plot. There's clunky exposition, arbitrary villains,...
Arthur the King has superficial and insincere themes of love, gratitude, and perseverance. Its melodrama is manipulative and strained,...
Ricky Stanicky is painfully hollow. It starts with a contrived, outdated sitcom-level premise and coasts off that one joke the rest of...
The American Society of Magical Negroes has a high concept but spotty details. It introduces systemic issues of bias, tokenism,...
Love Lies Bleeding deconstructs the American Dream and broadens female empowerment through a fusion of erotic, psychological, and crime...
Robot Dreams is surprisingly poignant. While it consistently maintains a sweet tone, it packs emotional punches. Themes of loneliness,...
Under the Skin is experimental. Its extreme showing-without-telling might be confusing, repetitive, or pretentious to viewers looking for...
The Favourite is wonderfully unorthodox. It deconstructs the period piece genre with dark humor, risqué dialogue, social commentary,...
Damsel wavers between generic and subversive. While it deconstructs fundamental fantasy tropes for themes of feminine solidarity, that...
Imaginary is boring. Instead of a story, the script drags out its obvious premise. It tries to hide this fact with shoehorned drama and...
Kung Fu Panda 4 is mild. It has superficial themes of change, some setup/payoff, a running symbol, and an adequate side character arc....
Kung Fu Panda is optimally formulaic. Its plot is cliche and predictable. Characters are likable, motivated, dynamic, and typical. The...
Perfect Days expresses an elusive mood. Through minimal plot and dialogue, themes of mindfulness, appreciation, routine, caste,...
Miller's Girl is polarizing. It tries to broaden perceptions of victimhood but its unclear conclusions leave room for victim-blaming. The...
Monster weaves together conflicting yet justified viewpoints, showing the impossibility of knowing another's experience. In turn, it...
Spaceman surrounds a familiar premise with a thin story. There's heavy exposition, muddled stakes, and underwhelming payoff. Its telling...
Dune: Part Two is pure cinema. It has seamless exposition, dynamic relationships, setup/payoff, consequences, and accessible scope. The...